Penumbra

At The Old Stone House Brooklyn, NY 2023-24

In “Picturing the Constitution” curated by Katherine Gressel

Penumbra (def. A partial shadow, as in an eclipse, between regions of complete shadow and complete illumination) is a multi-part project and installation that challenges the constitutionality of Dobbs v. Jackson, a decision by the U.S. Supreme Court, June 24, 2022, in which the court held that the Constitution of the US does not confer a right to abortion. In the Constitution, the penumbra includes a group of rights implied from other explicitly protected rights in constitutional provisions. Found in the 1791 Bill of Rights, Ninth Amendment, the term first gained attention in 1965, when the Griswold v. Connecticut decision cited it to identify a right to privacy that would allow married couples to use contraception.  

Detail of Penumbra Installation at the event “Penumbra Kit: A Workshop on Reproductive Rights and the Constitution”.

When the Dobbs decision calls attention to the phrase ‘(not) deeply rooted in our history and tradition’ to explain why abortion was not a right granted in the Constitution, we ask ‘whose history….whose tradition?’ Our answer is abortion history is women’s history as we draw attention to the millennia-long legacy of women using herbs for abortion and contraception, a ‘birthright’ that is part of a deeply hidden, repressed and often destroyed global practice.

Installation view of Penumbra in “Picturing the Constitution” at the Old Stone House.

Here we present a two panel, multi-layered curtain on a window overlooking the gardens of Washington Park. On the right hand panels we juxtapose selected text from Dobbs, placed on a background of images of groups of ‘men making serious decisions’. On the left hand panels selections from Roe are placed on a background of women taking care of other women. Both sides are placed against a background of images of herbs used for abortion and contraception.

Renderings of the 3 Penumbra panels

These slides reveal the images that are partially obscured by the top layer of text in the installation.

+ Expand the sections below to read the texts. Or see the Penumbra Booklet (view/download pdf)

During the Penumbra workshop participants were invited to explore the layers of the installation and the exhibition as a whole. They were introduced to a women’s history of abortion through a paper delivered by Maureen Connor.

The workshop space included books, herbs, and the contents of the Penumbra Kit: a booklet on the project, resource lists, and a copy of the case study, A Place for Herbal Abortion in Clinical Herbalism by Daena Horner, Molly Dutton-Kenny, Ember Peters, Chere Suzette Bergeron, Amanda Jokerst in Journal of American Herbalists Guild Vol 21 / 2 Fall 2022. (view / download pdf) Tables also included materials for the exercise led by Jason Leggett.

Jason Leggett engaged the participants at each table in a group exercise involving collaborative construction of a text made from fragments selected from Roe v. Wade and Dobbs v. Jackson Women’s Health Organization, as well as other abortion related cases and other sources.

Working with the same sets of text, each group constructed meaning through both play and serious dialogue. A guided discussion involved sharing the composite texts and drawing comparisons.

+ Expand the section “the restrictive criminal abortion laws” to explore the texts the groups worked with.

The creation of Penumbra involved many months of consultation and process between law professor Jason Leggett and conceptual artist Maureen Connor. The project received additional support from Social Practice CUNY (SPCUNY), an educational network that fosters interdisciplinary exchange among socially engaged affiliates of the City University of New York (CUNY).